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- Solos
Anchors Aweigh is a classic Glenn Miller flag waver and it is a beast of chart. Lightning fast mute changes, rapid fire horn lines, swinging fanfare sections, and a rager of a back half make this is a difficult but exciting chart despite the unassuming source material it's based off of.Instrumentation Big Band Style Swing Era Level 4 TEMPO 
= 270Trumpet
Range
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- Solos
Bugle Call Rag is an all out flag waver that was a major hit for Benny Goodman. With simple chords and riffs and lots of solo space, this burning boogie-woogie/swing hybrid swings hard and is a quintessential swing era anthem.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 235Trumpet
Range
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- Solos
Bugle Call Rag is an all out flag waver that was a major hit for Benny Goodman. With simple chords and riffs and lots of solo space, this burning boogie-woogie/swing hybrid swings hard and is a quintessential swing era anthem.Instrumentation Big Band Style Swing Era Level 3 TEMPO = 235Trumpet
Range
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- Solos
Man From Mars is an uptempo puncher with some slick solo spots and cool riffs for each section. A little intricate for a level 3, but not quite as demanding as a level 4, this piece swings hard and ends with a bang.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 230Trumpet
Range
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- Solos
The Wilhelm Scream is a flag waving jam session tune in the spirit of a Basie-style Lester Leaps In or a Shaw-style Diga Diga Doo that is open for solos for any/all instruments in the band. Built modularly, there are unique horn backgrounds that can be played depending on which instrument is soloing, with a final cued shout chorus that brings the house down!Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 230Trumpet
Range
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- Solos
Man From Mars is an uptempo puncher with some slick solo spots and cool riffs for each section. A little intricate for a level 3, but not quite as demanding as a level 4, this piece swings hard and ends with a bang.Instrumentation Big Band Style Swing Era Level 3 TEMPO = 230Trumpet
Range
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- Solos
This early Count Basie barn burner absolutely crushes on the blues, with catchy section work, a killer shout chorus, and solo space for both tenors and two trumpets. Starting small up front in the key of C, this arrangement builds up with great riffs, a Durham/Lunceford style chromatic modulation, and a massive shout chorus in two parts.Instrumentation Big Band Style Swing Era Level 3 TEMPO = 225Trumpet
Range
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This arrangement of Joy to the World has a range of dynamics and harmonies and is a killer upgrade to the more traditional versions out there. Now in a fast 3/4 time signature, this version has a lead trumpet melody part that is virtually unaltered, with colorful counterparts and reharmonizations flying around it.Instrumentation Brass Quartet Style Classical, Modern Jazz Level 3 TEMPO = 220Trumpet
Range
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- Solos
A Form of Art is a wild alto sax feature filled with the vocabulary of Duke Ellington and Paul Gonsalves. This is a frenetic, crescendoing rhythm changes tune featuring the alto soloing throughout. It's purely an improvisation vehicle; there is no melody for the alto to play. You must have an alto saxophone player in your band who is comfortable keeping the energy up across one long extended solo.Instrumentation Big Band Style Swing Era Level 4 TEMPO = 220Trumpet
Range
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- Solos
Another killin' Edwin Finckel original, Up an Atom pushes Gene Krupa's young orchestra to the limit, blurring the line between swing and bebop. Long stretches of solo space and plenty of great ensemble passages makes this a great flagwaver.Instrumentation Big Band Style Bebop, Swing Era Level 4 TEMPO = 212Trumpet
Range
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- Solos
Diga Diga Doo was a heavily covered tune in the 1920s and '30s, but Artie Shaw's version was one of the tightest. A hard swinging and nimble riff vehicle that has some room for solos as well, Diga is a great upbeat piece that isn't too tricky and has lots of fun moments! Saxes configured as CAATT.Instrumentation Big Band Style Swing Era Level 3 TEMPO = 205Trumpet
Range
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- Solos
Diga Diga Doo was a heavily covered tune in the 1920s and '30s, but Artie Shaw's version was one of the tightest. A hard swinging and nimble riff vehicle that has some room for solos as well, Diga is a great upbeat piece that isn't too tricky and has lots of fun moments!Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 205Trumpet
Range
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- Solos
Also known as "The Big Apple Contest," this is a swing dancer staple and a must-have for any band that will ever play for swing dancers! After the famous simple intro a brass trio work plays off of a sax riff, and from there on it's simple burnin' riffs all the way home, with lots of great brass plunger work.Instrumentation Big Band Style Swing Era Level 2 TEMPO = 200Trumpet
Range
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- Solos
Also known as "The Big Apple Contest," Keep Punchin' is a swing dancer staple and a must-have for any band that will ever play for swing dancers! After the famous simple intro a brass trio work plays off of a sax riff, and from there on it's simple burnin' riffs all the way home, with lots of great brass plunger work.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 200Trumpet
Range
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- Solos
Swingin' on the Campus is an aggressive hard swinging tune jam packed with killer riffs and solo space. This simply-constructed piece is built on a variation of rhythm changes and is a difficult level 2 because of the relatively high tempo and brass endurance.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 195Trumpet
Range
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- Solos
As standard dance repertoire, Lindyhopper's Delight is a catchy riff tune with a startlingly modern middle chorus that features some relatively harsh sax harmonies flanked by thickly-voiced plunger-supported brass hits. The final chorus is a raucous one, even though the brass are in full octave unison on a concert Bb! This is a great tune for any library though, and a good, albeit sometimes tricky, introduction to plungers for younger brass players.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 195Trumpet
Range
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- Solos
As standard dance repertoire, Lindyhopper's Delight is a catchy riff tune with a startlingly modern middle chorus that features some relatively harsh sax harmonies flanked by thickly-voiced plunger-supported brass hits. The final chorus is a raucous one, even though the brass are in full octave unison on a concert Bb! This is a great tune for any library though, and a good, albeit sometimes tricky, introduction to plungers for younger brass players.Instrumentation Big Band Style Swing Era Level 2 TEMPO = 195Trumpet
Range
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- Solos
Rendezvous with Rhythm is a unique tune that bridges the gap between hot jazz and swing with plenty of space for solos. Simple riffs and a tidy shout chorus drive this deceptively swinging Ellington/Hodges chart to a quiet and abrupt ending.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 194Trumpet
Range
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- Solos
This upbeat Hodges/Ellington piece is a variation on the old nursery rhyme The Farmer in the Dell. After a statement of the melody, it's all solos with background riffs until the melody comes back at the end. Swinging in the Dell is a very simple solo vehicle that's great for getting dancers on the floor!Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 190Trumpet
Range
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- Solos
Empty Ballroom Blues (which is not a blues!) is an Hodges/Ellington piece with great big riffs and big solo sections, and it makes for a great finale number!Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 190Trumpet
Range
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