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- Solos
Another killin' Edwin Finckel original, Up an Atom pushes Gene Krupa's young orchestra to the limit, blurring the line between swing and bebop. Long stretches of solo space and plenty of great ensemble passages makes this a great flagwaver.Instrumentation Big Band Style Bebop, Swing Era Level 4 TEMPO 
= 212Trumpet
Range
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- Solos
Man From Mars is an uptempo puncher with some slick solo spots and cool riffs for each section. A little intricate for a level 3, but not quite as demanding as a level 4, this piece swings hard and ends with a bang.Instrumentation Big Band Style Swing Era Level 3 TEMPO = 230Trumpet
Range
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- Solos
This Tiny Kahn chart is very consistent throughout with great lines and moving harmony. Filled with plenty of solo space around the band and some killin' trumpet lines, there are brief bursts of shout chorus pieces that build up past the final head out. Why Not is tough on the lead trumpet but worth the challenge.Instrumentation Big Band Style Bebop Level 4 TEMPO = 165-185Trumpet
Range
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- Solos
An original song off the 2011 Beantown Swing Orchestra album A Beantown Christmas, "Christmas Land" is a light-hearted, swinging tune about the magical world of fun and happiness where all things Christmas are created. There are several solo spaces for trumpet and some great swinging ensemble parts reminiscent of Nelson Riddle's work for Frank Sinatra.Instrumentation Big Band Style Pop Jazz Level 4 Vocals Female TEMPO = 124Trumpet
Range
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- Solos
When Benny Goodman hired Fletcher Henderson, he turned the band's sound upside down, ushering in a new era of popular music. King Porter Stomp is demonstrative of the Henderson arranging style and is truly a Swing Era anthem. Solo space for several instruments, lots of tight ensemble work, and a roaring finish at the perfect dancing tempo makes this a quintessential piece in any big band's library!Instrumentation Big Band Style Swing Era Level 4 TEMPO = 184Trumpet
Range
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- Solos
This early Count Basie barn burner absolutely crushes on the blues, with catchy section work, a killer shout chorus, and solo space for both tenors and two trumpets. Starting small up front in the key of C, this arrangement builds up with great riffs, a Durham/Lunceford style chromatic modulation, and a massive shout chorus in two parts.Instrumentation Big Band Style Swing Era Level 3 TEMPO = 225Trumpet
Range
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- Solos
From the Beantown Swing Orchestra 2011 holiday album A Beantown Christmas, what starts as a traditional-sounding orchestral jazz arrangement of the Christmas classic warps into a Duke Ellington style R&B swinger. Reflective and introspective moments balance against soulful bluesy cries in this powerhouse arrangement that has a little something for everyone.Instrumentation Big Band Style Swing Era Level 4 Vocals Male TEMPO = 65Trumpet
Range
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- Solos
When Benny Goodman hired Fletcher Henderson, he turned the band's sound upside down, ushering in a new era of popular music. King Porter Stomp is demonstrative of the Henderson arranging style and is truly a Swing Era anthem. Solo space for several instruments, lots of tight ensemble work, and a roaring finish at the perfect dancing tempo makes this a quintessential piece in any big band's library!Instrumentation Ellington 7-Piece Style Swing Era Level 4 TEMPO = 184Trumpet
Range
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- Solos
Ruined is a funky chamber jazz tune with feature space for guitar and trumpet. It starts with saxes only with no rhythm section, adding in trombones, then trumpets, before building into a guitar solo. The trumpet solo gets some space over trombone chorale before the rhythm section jumps back in, and it ends with a dismantling of each section until nothing is left but the five saxes. Each horn player keeping good time is critical for this composition, but the reward is a lush and exciting groove-based piece.Instrumentation Big Band Style Modern Jazz Level 4 TEMPO 
= 90Trumpet
Range
Solo Instrument: Trumpet
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