Solo Instrument: Bass

INSTRUMENTATION
STYLE
DIFFICULTY
VOCALS
PERFORMER
    • Solos
    • Alto
    • Bari
    • Trumpet
    • Trombone
    • Bass
    • Piano
    • Drums

    Pletchtastic

    as performed by Rocco and the Stompers
    $65
    Pletchtastic is a tongue-in-cheek titled song commissioned for Club Drosselmeyer. A simple Bb blues riff melody, solos for every instrument, no backgrounds, and a big intro and ending makes this a great opener, closer, or mid-set rest piece for your horns.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 2
    TEMPO quarter note = 175
    Trumpet
    Range
    Bb5
    • Solos
    • Alto
    • Bari
    • Trumpet
    • Trombone
    • Bass
    • Piano
    • Drums

    The Wilhelm Scream

    as performed by Rocco and the Stompers
    $65
    The Wilhelm Scream is a flag waving jam session tune in the spirit of a Basie-style Lester Leaps In or a Shaw-style Diga Diga Doo that is open for solos for any/all instruments in the band. Built modularly, there are unique horn backgrounds that can be played depending on which instrument is soloing, with a final cued shout chorus that brings the house down!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 230
    Trumpet
    Range
    Bb5
    • Solos
    • Clarinet
    • Tenor
    • Trumpet
    • Trombone
    • Bass

    Woodchopper’s Ball

    as performed by the Woody Herman Orchestra
    $80
    Woodchopper's Ball was Woody Herman's first big hit and would continue to be rewritten and rearranged for decades as a major anthem for him and his various Herds. Plenty of solo space and easy riffing can be found here over a medium tempo Db blues. This is a great, authentic introduction to the swing era and the blues form makes it playable for a band of any level!
    Instrumentation Big Band
    Style Swing Era
    Level 1
    TEMPO quarter note = 175
    Trumpet
    Range
    G5
    • Solos
    • Clarinet
    • Bari
    • Trumpet
    • Bass

    When the Quail Come Back to San Quentin

    as performed by Artie Shaw and the Gramercy Five
    $60
    This hip Artie Shaw original features a little of everyone at the perfect dance tempo. Anecdotally, When the Quail Come Back to San Quentin was written in response to a music business insider's request for Shaw to play a sappy hit of the day. Shaw instead went live to air with this antithetical parody that seriously swings.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 170
    Trumpet
    Range
    G5
    • Solos
    • Alto
    • Bari
    • Trumpet
    • Trombone
    • Bass
    • Piano

    Who Struck John?

    as performed by Johnny Hodges and His Orchestra
    $60
    Also known as "Non-Violent Integration", Who Struck John? is a very simple but very cool head tune. This arrangement is unusual in its use of rock/metal style parallel fifths in the rhythm section, otherwise known in modern times as barre chords. This is a chart for jamming on a straight-ahead D Major blues, with solo space for nearly everyone.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 1
    TEMPO quarter note = 160
    Trumpet
    Range
    Gb5

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