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- Solos
The Intimacy of the Blues is notable not just for it's striking melody--this was one of the very last compositions ever written by longtime Ellington collaborator Billy Strayhorn. This medium tempo Eb blues is good for a band of any skill level, and a great historical addition to your book.Instrumentation Ellington 7-Piece Style Swing Era Level 1 TEMPO 
= 110Trumpet
Range
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- Solos
A huge fanfare-ish intro announces this amazing Tiny Kahn tune, and Flying the Coop is quickly off to the races. Unison sax and brass lines at a breakneck tempo fill the head, while the meat of the arrangement features big bebop statements, sax solos, and an old-fashioned trombone chase (an early teaming of JJ Johnson and Kai Winding).Instrumentation Big Band Style Bebop Level 5 TEMPO 
= 123Trumpet
Range
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- Solos
This alto feature is a perfect tempo for new dancers and has some very cool background lines from the trio of trumpet, trombone, and bari sax. Let your alto play out a la Johnny Hodges and have your trio dig in with some conviction and this chart will swing hard.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 125Trumpet
Range
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- Solos
Skunk Hollow Blues is a very laid back colorful blues and a fantastic rare gem of the swing era. The intro and head features plunger trumpet on one line, bari and trombone on another, and the alto on a third melody, a rare true 3-part counterpoint! Riffs and triadic voicings back up a couple of solos, leading to an ending chorus that is half based on the head and half new material full of creeping chromatic motion full of dynamics.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 125Trumpet
Range
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- Solos
Hobbledehoy is a long outdated word meaning a clumsy or awkward youth. This tune captures that spirit while still swinging and providing a perfect foundation for dancers. The melody is mostly in unison with some riffs and 3-part background lines behind the solos. This one is a hit that your band will love!Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 140Trumpet
Range
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- Solos
Junior Hop is a nice walkin' alto feature with some simple but melodic three-part backgrounds. The trio takes over for a bit on a catchy new melody built on strong triads. The trombone part is a little on the high side for a Level 2 (up to high A).Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 140Trumpet
Range
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- Solos
Hot Springs is a catchy mid-tempo Gene Ammons tune that shows jazz in 1949 in flux, transitioning from swing to bebop. The solo order and instrumentation has been slightly altered to fit with the Hodges horn lineup.Instrumentation Ellington 7-Piece Style Bebop Level 3 TEMPO = 144Trumpet
Range
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- Solos
Good Queen Bess is a standout riff tune from the Hodges/Ellington book, complete with a lighthearted, catchy melody, and player-unique background voicings. The solo changes are fairly standard but colorful and make for a great jam vehicle for your band.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 150Trumpet
Range
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- Solos
Margie is a classic early jazz standard that was popular during the hot jazz and swing eras and is due for a comeback! This alto feature is built up like a Sy Oliver/Jimmie Lunceford arrangement, with a simple melody part and a bouncy and angular 3-part horn counterpart.Instrumentation Ellington 7-Piece Style Swing Era Level 4 TEMPO = 150Trumpet
Range
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- Solos
Emerald is a Rocco and the Stompers original that primarily features the alto sax with triad counterpoint a la Johnny Hodges and Duke Ellington. This is a fun an interesting chart considering how relatively easy it is, and it's always a hit with dancers!Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 150Trumpet
Range
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- Solos
Back Room Romp is basically a simple blues in Ab, but there is a twist: the head is a series of building independent lines, thus a "Contrapuntal Stomp." Every horn player gets a solo chorus. The lead trumpet part is a bit of a blow, but this was written for longtime Ellington sideman, trumpeter Rex Stewart, who had the chops to play all day.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 154Trumpet
Range
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- Solos
A well-rounded starter chart (especially for younger bands), Goin' Out the Back Way features a nice melody with every instrument in the comfortable zones of their ranges, simple backgrounds, cool chord changes, and a medium tempo. A couple of instruments that don't get too many solos have their space here as well. Slightly tricky for a level 1, but nothing crazy!Instrumentation Ellington 7-Piece Style Swing Era Level 1 TEMPO = 155Trumpet
Range
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- Solos
Also known as "Non-Violent Integration", Who Struck John? is a very simple but very cool head tune. This arrangement is unusual in its use of rock/metal style parallel fifths in the rhythm section, otherwise known in modern times as barre chords. This is a chart for jamming on a straight-ahead D Major blues, with solo space for nearly everyone.Instrumentation Ellington 7-Piece Style Swing Era Level 1 TEMPO = 160Trumpet
Range
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- Solos
Savoy Strut is a major hidden gem from the swing era! Duke Ellington starts the tune up with an unusually angular intro, which takes us to a winding but singable head. The soloists play over a beautiful and remarkable chord progression which also features some player-specific orchestration choices that take advantage of the unique sounds of his players. A must-have for any Ellington 7-piece ensemble!Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 160Trumpet
Range
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- Solos
Vestigiophony is a winding dance tempo swing tune that is loosely based on Wayne Shorter's composition Footprints, if that tune was written and arranged by Duke Ellington for Johnny Hodges' seven piece band. Horns are often concerted in 4-part voicings, all building to solos, then to a shout chorus with drum solo fills.Instrumentation Ellington 7-Piece Style Swing Era Level 4 TEMPO = 160Trumpet
Range
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- Solos
A Stompers Recrudescence is a killer finale piece. It starts with a windup intro, like a train leaving the station, before hitting a pre-head fanfare, then goes on to features all four horn players, an infectious blues head, and a huge final two choruses.Instrumentation Ellington 7-Piece Style Swing Era Level 3 TEMPO = 175Trumpet
Range
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- Solos
Pletchtastic is a tongue-in-cheek titled song commissioned for Club Drosselmeyer. A simple Bb blues riff melody, solos for every instrument, no backgrounds, and a big intro and ending makes this a great opener, closer, or mid-set rest piece for your horns.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 175Trumpet
Range
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- Solos
This obscure tune swings along with great riffs and colorful ensemble moments. I Know What You Do is a bit more chromatic than other level 2 Ellington pieces, but it all fits nicely together.Instrumentation Ellington 7-Piece Style Swing Era Level 2 TEMPO = 180Trumpet
Range
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- Solos
When Benny Goodman hired Fletcher Henderson, he turned the band's sound upside down, ushering in a new era of popular music. King Porter Stomp is demonstrative of the Henderson arranging style and is truly a Swing Era anthem. Solo space for several instruments, lots of tight ensemble work, and a roaring finish at the perfect dancing tempo makes this a quintessential piece in any big band's library!Instrumentation Ellington 7-Piece Style Swing Era Level 4 TEMPO = 184Trumpet
Range
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- Solos
Charlie Barnet wrote a trio of "Idea" pieces: one that paid tribute to Duke Ellington, one that parodied the unhip bands of the day, and this one, The Right Idea, a piece that Barnet felt represented a truly quintessential swing chart. With solo space for several instruments and some great riffs and lines, you can tell right away that Barnet was spot on!Instrumentation Big Band Style Swing Era Level 3 TEMPO = 185Trumpet
Range
Solo Instrument: Alto
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