Instrumentation: Ellington 7-Piece

STYLE
DIFFICULTY
VOCALS
PERFORMER
SOLOS
    • Solos
    • Alto
    • Trumpet
    • Trombone

    Savoy Strut

    as performed by Johnny Hodges and His Orchestra
    $60
    Savoy Strut is a major hidden gem from the swing era! Duke Ellington starts the tune up with an unusually angular intro, which takes us to a winding but singable head. The soloists play over a beautiful and remarkable chord progression which also features some player-specific orchestration choices that take advantage of the unique sounds of his players. A must-have for any Ellington 7-piece ensemble!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 160
    Trumpet
    Range
    E5
    • Solos
    • Alto
    • Trumpet

    Skunk Hollow Blues

    as performed by Johnny Hodges and His Orchestra
    $60
    Skunk Hollow Blues is a very laid back colorful blues and a fantastic rare gem of the swing era. The intro and head features plunger trumpet on one line, bari and trombone on another, and the alto on a third melody, a rare true 3-part counterpoint! Riffs and triadic voicings back up a couple of solos, leading to an ending chorus that is half based on the head and half new material full of creeping chromatic motion full of dynamics.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 2
    TEMPO quarter note = 125
    Trumpet
    Range
    Eb5
    • Solos
    • Alto
    • Bari
    • Piano

    Goin’ Out the Back Way

    as performed by Johnny Hodges and His Orchestra
    $60
    A well-rounded starter chart (especially for younger bands), Goin' Out the Back Way features a nice melody with every instrument in the comfortable zones of their ranges, simple backgrounds, cool chord changes, and a medium tempo. A couple of instruments that don't get too many solos have their space here as well. Slightly tricky for a level 1, but nothing crazy!
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 1
    TEMPO quarter note = 155
    Trumpet
    Range
    F5
    • Solos
    • Alto
    • Bari
    • Trumpet
    • Trombone
    • Bass
    • Piano

    Who Struck John?

    as performed by Johnny Hodges and His Orchestra
    $60
    Also known as "Non-Violent Integration", Who Struck John? is a very simple but very cool head tune. This arrangement is unusual in its use of rock/metal style parallel fifths in the rhythm section, otherwise known in modern times as barre chords. This is a chart for jamming on a straight-ahead D Major blues, with solo space for nearly everyone.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 1
    TEMPO quarter note = 160
    Trumpet
    Range
    Gb5
    • Solos
    • Alto
    • Trombone

    The Intimacy of the Blues

    as performed by Johnny Hodges and His Orchestra
    $60
    The Intimacy of the Blues is notable not just for it's striking melody--this was one of the very last compositions ever written by longtime Ellington collaborator Billy Strayhorn. This medium tempo Eb blues is good for a band of any skill level, and a great historical addition to your book.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 1
    TEMPO quarter note = 110
    Trumpet
    Range
    Eb5
    • Solos
    • Alto
    • Trumpet
    • Trombone

    Good Queen Bess

    as performed by Johnny Hodges and His Orchestra
    $60
    Good Queen Bess is a standout riff tune from the Hodges/Ellington book, complete with a lighthearted, catchy melody, and player-unique background voicings. The solo changes are fairly standard but colorful and make for a great jam vehicle for your band.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 150
    Trumpet
    Range
    D5
    • Solos
    • Alto
    • Bari
    • Trumpet
    • Trombone

    The Back Room Romp (A Contrapuntal Stomp)

    as performed by Rex Stewart and His 52nd Street Stompers
    $60
    Back Room Romp is basically a simple blues in Ab, but there is a twist: the head is a series of building independent lines, thus a "Contrapuntal Stomp." Every horn player gets a solo chorus. The lead trumpet part is a bit of a blow, but this was written for longtime Ellington sideman, trumpeter Rex Stewart, who had the chops to play all day.
    Instrumentation Ellington 7-Piece
    Style Swing Era
    Level 3
    TEMPO quarter note = 154
    Trumpet
    Range
    Bb5

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